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The directories used on the PSP for media are the same as those used on many of Sony s CLI PDAs and digital cameras. This enables plug-and-play media viewing on the PSP from any other Sony device. Once you have the media on the PSP, you can also delete the files and get information about them (resolution, date picture taken, size, and so forth), making the PSP a makeshift media-content management device.

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where a is the lattice spacing, N is the number of lattice units in a particular direction, and 5 is a typical correlation length. Wilson (1983b) estimates that a lattice spacing of 0.01 fm would give a reliable approximation to QCD. In a 10-fm-widecube with this spacing there are lo9 sites; taking the same number of time steps gives 10l2 spacetime sites. In a Lagrangian formulation of QCD eight SU(3) angle integrations are required for each nearest-neighbor link, so 32 x 10I2 simultaneous integrations must be performed. The quarks in such a calculation are described by a (72 x 10l2) x (72 x 10I2) complex matrix, and this matrix must be inverted and its determinant taken to compute the integrand for the 32 x 10l2 integrations. Standard integration methods are out of the question; even with the Monte Carlo procedure some lo6' computations are required to do the lattice calculation with 10l2 sites. The present state of the art uses fewer than lo6 lattice sites and employs the quenched approximation for the largest lattices. Advances in lattice calculations have been impressive, and many would argue that these estimates are too pessimistic. Nevertheless, a conservative evaluation suggests that we are still far from a completely realistic computation of most physical quantities. Although lattice gauge calculations represent our best current understanding of non-perturbative QCD and must be taken seriously, it seems prudent to maintain a healthy skepticism about the details of such calculations until larger computers and better algorithms bring un-

Carcinogenic Effects The incidence of certain cancers such as leukemia, head, neck, pharyngeal, thyroid, breast, and lung historically has been shown to be increased following radiation exposure (as observed in populations following radiation disasters such as the bombing of Hiroshima). The risk to an individual whose exposure history is known can be estimated by multiplying the absorbed dose by the risk factor. The risk factor currently used by the U.S. Nuclear Regulatory Commission (NRC) for cancer induction for the adult working population exposed to low dose, low dose rate radiation is 4 10 2 cases of cancer

Locking can be applied to more than just objects that you draw. Under the Object Lock submenu, you can choose to lock a selection, all artwork above, or other layers. To lock an object, select it and choose Object Lock Selection. You can also press Ctrl+2 ( +2). Illustrator not only locks the object, but it also deselects it. In fact, you can t select an object after you lock it. You can t move or change locked objects nor can you hide them. Because you can t select a locked object, you can t change it in Illustrator, as in most applications, you can modify objects only when you select them. A locked object remains locked when you save and close the document. As a result, locked objects remain locked the next time you open the document. Because locked objects are always visible, they always print. You can t tell from the printed item whether it s locked. To change a locked object, choose Object Unlock All. You can also press Ctrl+Alt+2 ( +Option+2). This command unlocks (and selects) all objects. There s no way to unlock just a few objects locked with the Lock command. That s one reason why you may want to use the Layers panel to lock specific objects instead of using the Object Lock command: Objects locked using the Layers panel can be individually unlocked.

The stereoselective nature of the reaction supports the suggestion that epoxidation in this case does not occur by acylperoxy radicals but rather by peracids generated from autoxidation of aldehydes.