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There are some disadvantages to using the raw format, such as having to go through conversion software prior to working with the actual digital picture. Converting the raw file to a universal image format could take some time. In fact, it could take several minutes on some computers. JPEG is a good compressor because it eliminates subtle data. Using a lossless image format means you can t throw away any data, which translates to bigger file sizes. Plus, you now have two files to deal with: a raw file and a universal image format file. The disadvantages of using raw format make the workflow time consuming and troublesome compared to workflows where the camera generates JPEGs or TIFFs directly. But there are actually a lot of benefits to using raw data files: 1. The data is directly generated from the digital sensor and is not manipulated. 2. You might want to process the raw data one way today, and then process it another way tomorrow. For example, you can re-process the raw data to change the white balance. 3. Years down the road, someone may invent a better raw processing algorithm that makes your original image even better. 4. Data in raw files are read-only; you can t accidentally save different sets of image data in raw files. All digital cameras support the raw data internally. After all, the digital sensor has to capture the raw data before the digital camera can process it to generate the final format. Unfortunately, many consumer digital cameras do not provide the raw data to the user. On some consumer-level digital cameras, raw mode can be enabled through diagnostic software or through hidden menus.

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So far, we ve tweened objects and created an interesting display across the canvas. Usually, though, you want to distribute your tweened objects to frames to create a real animation. You have the option to do this at the same time as the tweening, or you can select your tweened objects and click the Distribute to Frames button on the Frames panel at any time. Fireworks distributes objects to frames from bottom to top, the same way that it tweens, so that your objects stay in the correct order. To tween Instances, follow these steps: 1. Create an object or a group of objects, and convert it to a symbol. Select the object and choose Modify Symbol Convert to Symbol. Name your symbol in the Symbol Properties dialog box, and click OK when you re done. Your object is converted into a symbol and stored in the Library. An Instance is left in its place on the canvas. 2. Choose Edit Duplicate, or use the keyboard shortcut, Ctrl+Alt+D (Command+Option+D) to create a copy of the Instance. Alternatively, you can create a duplicate Instance of your symbol by dragging it from the Library panel and dropping it onto the canvas. A copy of an Instance is also an Instance. Keep in mind that the duplicate is placed one higher in the stacking order. 3. Position the duplicate Instance to a spot on the canvas where you want the tween to stop.

To count nonblank cells, use the COUNTA function. The following formula uses the COUNTA function to return the number of nonblank cells in a range named Data:

Tools panel (choose Window Tools): As covered earlier in this chapter, the Tools panel is the mechanism by which you select the appropriate tool to accomplish various layout tasks. Control panel (choose Window Control or press Option+ +6 or Ctrl+Alt+6): The Control panel is one of the most useful features in InDesign. It combines many attributes for the currently selected object so that you can minimize the use of other panels and menu items. The panel changes based on what you select, as shown in Figure 1.8. The Control panel adjusts its display based on what the current object is, so you get just the relevant options. For example, when you select a text frame, the Control panel provides the most functions of the Transform, Character Style, Character, Paragraph, Paragraph Styles, and Stroke panels and the wider your screen, the more options appear in it.

The filePathForRevert property returns the pathname from which the Revert operation reads in other words, the file opened to create the current document. Use filePathForRevert to determine an original pathname for non-Fireworks native files or documents opened as Untitled. This property returns null if the document was newly created and not read from a file.

Need more room for your Find or Replace entries The Find and Replace dialog box can be widened by dragging the border as you would a window; Macintosh users should drag the lower-right corner as usual.